Thursday, December 29, 2011
Seed to Scarf III: Tying on the Warp
You are witnessing weaver efficiency at its best here. Instead of feeding each of the 810 warp threads through the reed and then the corresponding 810 heddles, I merely tie 810 knots from the old warp (still threaded through the loom) to the new warp and pull through. Nothing to it!
Sunday, December 25, 2011
Sunday, December 18, 2011
Fool on the Move
You may be surprised to hear that I'm moving again...today, in fact. I made the decision a few months ago, when a space that seemed to be made just for me and all my textile needs became available in my dream studio on Cary Street. This is a studio community that I have been salivating over ever since I moved to Richmond, and with my extra-large artwork and small business needs, I have come to a point where I can justify another move and a slightly steeper rent. The perks: a very clean building with better dyeing facilities...and let's not forget to mention the enormous, gloriously white wall on which to pin up and construct my large-scale weavings. I am so sad to leave my friends behind on Mayo Island, but I know they will always be just a short trip down the river. Sigh. But to work! It's time to move a couple of looms.
Wednesday, December 14, 2011
Seed to Scarf II: The Warp
See everybody, middle school math DOES apply in the real world. Once I have decided on the design of my scarf series, it's time to plan out the warp. How many threads will be in each inch of the scarf width? How fine should those threads be? Do I want any vertical stripes added to the design, or will the whole scarf be a solid color? How long do I need to make the warp in order to make six scarves? Once these questions (and many more) are answered, it's time for some multiplication and division, and finally numbers on paper become 16-yard bundles of thread laid out on my warping board. A new scarf run begins to take shape...
Thursday, December 08, 2011
Seed to Scarf I: Design
Each scarf series begins in my sketchbook: random doodles converge into specific patterns, then one pattern is singled out and refined over and over again until it is perfect for a scarf. My initial ideas come from all sorts of places: the scenery I pass every day as I walk and bike around Richmond, patterns of light and shadow, and even from the technical process I use to make the scarves themselves. The design for my next scarf run, however, began with a memory. A portion of the scarves in this series is already spoken for: a lovely woman named Josie has requested a set of scarves with personal significance, meant as gifts for her sisters. She wanted something inspired by the memory of her father, who loved the ocean, had Irish-blue eyes, and wore a blue-and-white polka-dot necktie (this resulted in his children having a particular fondness for the color blue). What a lovely set of details to work with! I designed the motif on the left around those details, thinking both graphically and abstractly about the surface of water, the rhythm of waves, and seaweed in the surf, with polka-dots that also reference bubbles in water. I will make a set of six scarves from this design, but only two will come out the color of Irish-blue eyes.
Monday, December 05, 2011
"How long did THAT take?!"
| Ole' Stinky here thinks I weave real slow. |
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